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15/01/2010

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Die Welt 09.01.2010

Have Eastern Europeans actually arrived in the West, die Welt asks, in a series of articles following the anti-Semitic backlash to Imre Kertesz's critique of contemporary Hungary on its pages in November. This week it's Poland's turn. The author Stefan Chwin finds the question insulting. After all, the Poles have "always considered themselves European". The real question is "when this country will at last receive recognition in Western societies. When these societies are prepared to say, loud and clear: 'You are one of us', also in the sense of shared values. 'You' are like 'us' and can count on us, even in the most difficult situations. But many Poles today believe that very little of their love for Europe is reciprocated."


Die Welt 11.01.2010

Die Welt prints the "Green Manifesto", which was written by five Iranian intellectuals living in exile. One of them, philosopher Abdolkarim Soroush explains in an interview, what motivated him to write it. "It will better define, articulate and clarify the aims and intentions of today's opposition. This is what we need at this stage. For many years now I have been saying that the revolution had no theory. It was a revolution against the Shah – a negative rather than positive theory. I was insistent that the new movement should have a theory. The people should know what they want, not only what they don't want. That is why we are trying – in our modest way – to create a theory for this movement."


Frankfurter Rundschau 12.01.2010

The author Peter Schneider demands more transparency in matters of airport security, clearer and less contradictory information (such as the different routines for shoe checks in Europe and the US). "Clear information would put an end to the well-established practice of treating air travellers like minors, using a constant state of extreme threat to deprive us of our right to question issues related to our own security and obliging us to simply follow orders. Security services now enjoy a false, and nigh on absolute authority – and have adopted a tone of voice to match. Flying citizens, for whose protection the security measures are there in the first place, should have at least some say in how many of our rights we are prepared to sacrifice for our security."


Süddeutsche Zeitung 12.01.2010

Under Berlusconi, Italian fascism has become socially-acceptable again, writes historian Aram Mattioli, whose book on the subject is about to be published by Schöningh. "In contrast to other Western European countries, revisionist ideas in Italy are not only voiced by arch-conservatives and right-wing extremists, but also by middle-class dignitaries. Since 1994, leading politicians who emphasise the positive aspects of the Mussolini dictatorship, streets named after "heroes" of the regime or the 'good fascists', who flicker as film heroes across the nation's TVs, have been as much part of everyday life in the Second Republic as the legislative initiatives that try to equate Mussolini's last-ditch stand and the collaborators of Sala with the fighters of the Resistenza."


Frankfurter Allgemeine Zeitung 13.01.2010

Eleonore Büning was in Rome for the premiere of Hans Werner Henze's new opera "Immolazione" ("The Sacrifice"), which is based on Franz Werfel's 1919 poem. She found it hard to gauge whether the piece was intended to provoke laughter or tears. But it was sensationally beautiful, singing dog included. "Since Kater Murr, we have known that cats write novels, but never in the history of music has a dog sung in a pious tenor. The sinister story is conveyed with unbelievable lightness, and floats by on fairytale feet, however rich and painterly the orchestral underpinnings – it is solace and promise in one. The musical composition is complex, but in keeping with all of Henze's late work, it remains unwaveringly transparent, the words clear as a bell."


Die Welt 14.01.2010

Berlin's Museum for Islamic Art has decided to shift from an art-historical to a cultural-historical approach, reports Gabriela Walde. She interviews the museum director, Stefan Weber, who explains that unlike the Metropolitan Museum in New York, Berlin will be exhibiting its paintings of Mohammed. "In past centuries, Mohammed was often depicted by Muslim miniature painters – although his face is always veiled. We have miniatures like this in our collection. We should not start censoring the past."


Die Tageszeitung 14.01.2010

Ekkehard Knörer recommends the DVD box "Abecedaire", 453 minutes of Gilles Deleuze answering questions on philosophical issues (all 8 hrs can also be watched for free at Google video). At W for Wittgenstein, for example, you learn that Deleuze utterly detested this philosopher and his followers who, he considered to be the "embodiment of everything that is wrong" with the field. "'Abecedaire is not about the inevitability of the alphabet, but about enjoying the random things it throws up... One of the quirkiest being Deleuze's attitude to food, which he has no time for. With the exception of the edible trinity: brain, tongue, marrow. Father, Son, Holy Ghost. Here, as in plenty of other occasions, it is extremely difficult to to tell whether Deleuze is being deadly serious or roguishly ironic."


Neue Zürcher Zeitung
14.01.2010

Günter Seufert has harsh words for the Cultural Capital Istanbul, and its promise to "serve as a showcase of living together" in the spirit of the Ottoman tradition. "The focus on the culture of minorities has not given these groups any real say. And the 85-year-old practice of simply ignoring their culture, or at least not mentioning it, has never once been discussed or attracted criticism. None of the events included in the Cultural Capital programme has addressed this cultural marginalisation or discussed culture as an instrument of an authoritarian state."


Der Tagesspiegel
15.01.2010

Apocalypse hit Haiti long before the earthquake, says author Hans Christoph Buch, who has been writing about the island for many years. In an interview with Philipp Lichterbeck, he explains why an earthquake will have a more catastrophic impact on Haiti than elsewhere. "Haiti has been broken for a long time. Its forests have been felled for charcoal. The once green countryside is nothing but barren mountains today. There is no rain, and when it does rain, the fertile earth is washed into the sea. The coral reefs which protect the coastline are dying. The roads are unusable and there is no functioning network for electricity or water."

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From the Feuilletons

Saturday 24 - Friday 30 July, 2010

Applause thunders in for the rats of Lohegrin, Klaus Maria Brandauer as Oedipus in Colonus, and Wolfgang Rihm's constructive irony. lovegermanbooks loved the German independent book fair. Liv Ullman remembers an historic meeting - between Ingmar Bergman and Woody Allen - that was shrouded in silence and punctuated by meatballs. It was not booze and drugs and thumping music that killed the Love Parade, writes the NZZ in its obituary. And how many phone calls does it take to shut down an Iranian newspaper?
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From the Feuilletons

Saturday 17 - Friday 23 July, 2010

Nothing is more expensive than yesterday's papers: Telepolis explains what Brazil would do to a Springer Verlag that tried to charge 27,000 Euros to read the Vossische Zeitung from 1934. Alice Schwarzer takes the Left to task for defending the burqa. The city of Weimar is not letting a little thing like the Holocaust get in the way of its friendship with Iran. The SZ prays for the worn-out souls of 21st century office workers. And the taz frolics in the dirt of Bonaparte's farting electro beats.
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From the Feuilletons

Saturday 10 - Friday 16 July, 2010

Fifteen years after Srebrenica, Germanist Jürgen Brokoff says you cannot separate politics and poetry in Peter Handke. The sentence handed out to the Russian curators Andrey Erofeev and Juri Samodurov is lenient only on the surface, the papers say. The SZ passes on some painful advice from Fritz Teufel, the comedy '68er who died on July 6. Publisher Klaus Wagenbach explains the "heart clause" and when it kicks in. And the integration miracle of Marxloh is now attracting international therapy tourists.
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From the Feuilletons

Saturday 3 - Friday 9 July, 2010

David Grossman calls on Israel to offer Hamas a ceasefire. Kent Nagano has handed in his resignation at the Bavarian State Opera, due to bad blood between him and a man who eats intrigues for breakfast. John Bock has transformed Berlin's Temporary Kunsthalle into a FischGrätenMelkStand full of burnt pizzas and black soup. The NZZ raves about Christoph Marthaler's "Papperlapapp" at the Papal Palace in Avignon. And Prague is haemorrhaging artworks to London, Paris and Vienna.
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From the Feuilletons

Saturday 26 June - Friday 2 July, 2010

The former publisher of Peter Wawerzinek, this year's Ingeborg Bachmann prizewinner, celebrates the comeback of the wandering bard. Micha Brumlik explains the German dilemma in all things Israel-related. Peter Demetz rediscovers the writer H.G. Adler. The SZ is worried about Munich's museums where the cobwebs are multiplying. The Voodoo priest Max Beauvoir talks about bad vibrations in Haiti. Video artist Shrin Neshat discusses her first feature film, "Women Without Men".
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From the Feuilletons

Saturday 19 - Friday 25 June, 2010

At the Berlin Biennale, Belgian artist Renzo Martens encourages the Congolese to enjoy their poverty. Historian Dan Diner supports Turkey's foreign policy somersault. Philosopher Daniel Dennett says the media squandered a massive opportunity by not publishing the Mohammed cartoons. Hanover's local paper reports on an intercultural dialogue that had to be put on hold for a moment - due to flying stones. The Süddeutsche Zeitung was winded by the harshness of Christa Wolf's revolutionary zeal. And the taz just can't get enough of really long Asian films.
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From the Feuilletons

Saturday 12 - 18 June, 2010

Curator Jean-Christophe Ammann explains why the female body is the first victim of global art. The taz checks out the South African design scene. Necla Kelek presents a new study which links religious belief in young Muslims with a reluctance to integrate. Dutch writer Geert Mak blames provincialism for the election results in the Netherlands. The Slovak elections, says Michael Hvorecky, were a triumph against populism.
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From the Feuilletons

Saturday 5 - Friday 11 June, 2010

Warsaw curator Pawel Leszkowicz talks about changing attitudes to homosexuality in Poland. Der Freitag profiles Pierre Assouline, the first literary critic to elicit 1000 readers' comments with an essay on Georges-Arthur Goldschmidt. Western liberals are to blame for dismantling universal human rights, according to Caroline Fourest in Perlentaucher. Speaking in honour of Marcel Reich-Ranicki at the Börne award ceremony, Henryk Broder bids him to show more engagement for Israel. And a German book on the mafia has Italians seeing red.
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From the Feuilletons

Saturday 29 May - Friday 4 June, 2010

David Grossman voices his desperation about the "Free Gaza" debacle. Henning Mankell, on the other hand, describes it as a resounding success. Composer Heinz Holliger declares his love for Schumann's madness. The Tagesspiegel decries the moral chestbeating of the German media in condemnation of former president Horst Köhler. Iranian film maker Jafar Panahi diagnoses the prison guard's fear of the cinema. And we learn why the sonic 'mosquito' is just enough to keep the kids at bay.
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From the Feuilletons

Saturday 22 - Friday 28 May, 2010

Laszlo F. Földenyi joins Canetti is asking a thoroughly unfashionable question: What is man? Joachim Gauck, former commissioner of the Stasi archives, talks about fighting the system. Novelist Sibylle Lewitscharoff sinks her teeth into toothless literary criticism. The Tagesspiegel visits Andres Veiel on the set of his first feature film - about Gudrun Ensslin and Bernward Vesper. Hoo Nam Seelmann describes South Korean methods of crisis management. And the taz calculates the true price of the Ipad, which just might be a padded cell.
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From the Feuilletons

Saturday 15 - Friday 21 May, 2010

Jürgen Habermas gives German political elites a sharp dressing-down. Former Israeli ambassador to Germany, Avi Primor, denies that anti-Semitism is on the rise. Memorial's Swetlana Gannuschkina reveals what is really under the uniforms of dead Chechen insurgents. At Cannes, the non-stop cheering in Adrej Ujica's montage "Autobiografia lui Nicolae Ceaucescu" elicits murderous emotions. Two South African directors discuss the effects of apartheid on theatre audiences, 16 years after it ended. And decapitated heads go on show at the Musee D'Orsay.
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From the Feuilletons

Saturday 8 - Friday 14 May, 2010

"Why are raindrops always trickling down the window? the taz asks new Turkish cinema with a sigh. Albert Speer dresses down the vanity of the UFO building, and those designed by Zaha Hadid in particular. Filmmaker Eva Munz describes a night in Bangkok on the verge of civil war. Italian writer and politician Fiamma Nirenstein discusses the origins of left-wing anti-Semitism. And an Albanian Autocephalous Orthodox bishop remembers the dangers of coloured egg shells under the Hoxha regime.
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From the Feuilletons

Monday 3 - Friday 7 May, 2010

The new Documentation Center of the Topography of Terror museum on the site of the former SS headquarters in Berlin, meets with universal approval. The same cannot be said of the Holocaust Memorial five years on: Henryk Broder describes it as a ten-tonne exonteration. The public broadcaster ZDF has cancelled an interview with Danish cartoonist Kurt Westergaard - but is denying it. And the FAS has witnessed a miracle, in the form of Igor Levit on an out of tune piano in China.
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From the Feuilletons

Saturday 24 - Friday 30 April, 2010

Mikhail Khordokovsky refuses to abandon hope for Medvedev and Putin. Lower Saxony's first Muslim minister Aygül Özkan might have failed to get the crucifix out of the classroom, but she should keep up the good work. Jörg Lau has only contempt for the preventative cowardliness of the western media in the Mohammed-in-a-bear-suit fiasco. At the Munich Music biennial, composer Tado Taborda shows why humans don't need to shout in the rain forest. And Kristof Schreuf's new album "Bourgeois With Guitar" returns the sheen to hackneyed pop classics.
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From the Feuilletons

Saturday 17 - Friday 23 April, 2010

Memorial's Arseni Roginski talks about Katyn and Russia's distorted self-image. Olga Tokarczuk pens an essay on the "neurotic theatre of Catholic nationalism" in Poland. Islam expert Olivier Roy distances himself from the term "Islamophobia". In Google's stats of government censorship requests, Germany is currently standing proud in second place. And can we expect more from a 50-year-old Neo Rauch than an endless stream of pseudo-connections?
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