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24/04/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Neue Zürcher Zeitung 18.04.2009

Freshly octogenarian, literary critic, essayist, author and professor, George Steiner, talks in an interview about the new anti-Semitism, the value of rote learning and the art of understanding: "When you enter someone's house you wash your hands. You try to approach a text cleanly. There is an ethics to understanding – you don't try to reshape a text while reading it. And above all: You should not forget the billions of kilometres that lie between the best critics, teachers, readers, publishers and the person that created the work. It is one of the evils of modern that Messrs Tutor and Critic take themselves so seriously. A great teacher or critic is just a postman, delivering the letter to the right address."


Neue Zürcher Zeitung 20.04.2009

During the Russian Orthodox Easter celebrations, Russian poet Olga Martynoa remembers how the Church regained its hold in the Soviet Union: "Even at that time, lots of members of the party elite were being drawn to the increasingly fashionable Russian nationalism and their goodwill towards the Orthodox Church was tangible. When, in Petersburg in 1981, an official association was founded for unofficial writers, the KGB supervisor rang up the leading underground poets over Easter to say: 'Christ is risen.' Another parallel with Roman times. Almost immediately after Constantine proclaimed equal rights and freedom for all religions, Christianity became the most equal of them all." Read our feature by Olga Martynova, "The source we drink from".

Urs Schoettli sounds out China's world political strength in a full-page article, only to conclude that it's much wobblier that we might think. "All the whole world is picking on the western financial markets from New York to Zurich. The Chinese banking system seems like the land of milk and honey. But it would be useful to cast an eye into the poison cabinets of the People's Banks. You are likely to come across the sort of problem loans that make UBS or Citigroup 'toxic papers' look positively harmless. It's all too easy to forget that China's big state-controlled banks are essentially the financing instruments of the autocratic Chinese Communist Party."


Frankfurter Rundschau
21.04.2009

Open Access
and Google Books critic, Roland Reuß, has by now collected 1,300 signatures for his "Heidelberg Appeal" for the freedom to publish and protect copyrights, and has written to Chancellor Merkel to ask her to take up the fight. Matthias Spielkamp and Florian Cramer have the feeling that these scholars, authors, publishers and journalists have essentially signed the appeal out of some "diffuse, generalised sense of unease about the Internet." And "precisely this insistence on familar structures will ultimately only play into the hands of the global players, who now have the opportunity to expand their oligopoly into the humanities, literature and arts. But Open Access is not some 'new economy' business model; it's an attempt by academics to try to regain some control and create a medium for independent research. From a philological perspective the 'Heidelberg Appeal' looks like a grotesque, with tragic potential.


Neue Zürcher Zeitung 22.04.2009

Mona Naggar gives a depressing view of the cultural pages in the Arab newspapers. "The poverty of cultural life in the Arab world is just one factor that is reflected in the cultural pages. Considering the ongoing crises afflicting Arab societies, starting with the desperate state of education through to issues of violence, there is an astounding lack of serious debate. The exponents of Arab intellectual life make a point of writing regularly in the cultural pages – the Syrian poet Adonis and the Egyptian literary academic and cultural official Jabir Asfur, for instance, have regular columns in the national daily Al-Hayat. But they don't have much to say." (One important exception being the Al Ahram theatre critic Nehad Selaiha whose recent article, on the 10th Golf Theatre Festival in Kuwait, describes the consequences of censorship in the Arab world."


Frankfurter Allgemeine Zeitung
22.04.2009

Dutch writer Adriaan van Dis has been in South Africa researching a new novel. Despite the dire state of violent crime, disease and corruption in the country he does see grounds for hope: "Writers and intellectual campaigners who once raised their voices are standing up in opposition once again. Stronger still is the choir of critical black voices, trade unions and social movements like the Treatment Action Campaign. It is a hopeful sign that the South African media does report in depth about the social evils in the country. And when this is no longer possible, because the South African government bans bad news, then it's up to us to fight the censorship."


Die Zeit 23.04.2009

"From the point of view of the past, the book might seem to be losing its soul – but if we look to the future, it looks as if it's freeing itself of its body," writes the author and Darwin biographer, Jürgen Neffe, as he waves farewell to print and welcomes in multimedia. "We can admire 17th century Venice, take a tour through the Vatican or the Pentagon, read an epistolary novel via email, or find out the biographical background to key scenes in Robert Walser. Others can write round books with eternal stories that never begin or end. (...) And only in the blink of an eyelid you can access all-you-can-eat secondary literature – happy days for scouts on the trail of K, who want to understand more than they can grasp single-handedly."


Die Welt 24.04.2009

The German environmental protection group PAN is staging a press conference for World Malaria Day tomorrow. A million people die every year from this disease and half the world's population live under its shadow. But the press conference has just one aim: to keep up the pressure on outlawing DDT, the one chemical proven to fight mosquitoes effectively. Ulli Kulke writes an impassioned appeal to reintroduce it. "I am not talking about deploying DDT as it was used in the 60s, when in any one day, US fields were sprayed with several times the amount needed to kill off malaria in entire African states by spraying interior walls over the course of a year. But the ban on the chemical, which could have saved 40 or 50 million human lives, is responsible for the deaths of just as many."

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From the Feuilletons

Saturday 13 - Friday 19 March, 2010

The Feuilletons this week were preoccupied by two issues: child abuse by the Catholic Church, and (again!) copy-paste abuse by the young German writer Helene Hegemann. The FAZ looks back at the days when castration was considered an acceptable method of producing angelic voices. Die Zeit looks to the narcissistic principle of similarity in a patriarchal society for an explanation. On the eve of the Leipzig Book Fair, a list of German writers, Günter Grass and Christa Wolf among them, sign a petition against plagiarism - although, as we discover, Christa Wolf might be considered a pioneer in such matters herself.
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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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