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17/04/2009

From the Feuilletons

From the Feuilletons is a weekly overview of what's been happening in the German-language cultural pages and appears every Friday at 3 pm. CET.. Here a key to the German newspapers.

Süddeutsche Zeitung 11.04.2009

Sonja Zekri pays a visit to Kyrgyzstan, the state which hit the headlines in February, when it bowed to Russsian pressure and announced that it would be closing a key US airbase situated there (news story). It's a pretty place, but there's not a lot going on: "Kyrgyzstan, this blind spot between Moscow and Tehran, Kabul and Shanghai. Kyrgyzstan has no oil, no gas, no high tech and no high potentials, at least very few that stay. It just has itself. Aquamarine lakes, mountains under eternal ice, 93 percent of the land is unfit for development, but it's geopolitical hotspot."


Neue Zürcher Zeitung
14.04.2009

Aldo Keel reports that Norway is to introduce general conscription for women next year, and that Denmark and Sweden are also considering this delicate move towards equality: "Experience in Africa and Afghanistan, where women are reluctant to communicate with unfamiliar men, shows how important women officers can be for intelligence gathering and troop security. In an article for the Oslo Aftenposten, however, a retired woman major criticised the 'male climate right through to misogyny' that continues to rule in officer circles. And the emphasis that remains on camaraderie rather than professionalism."


Frankfurter Allgemeine Zeitung
14.04.2009

Andreas Rossmann reports on his visit, that took place under almost conspiratorial conditions, to the "emergency clinic" for material pulled from the wreckage of the Cologne City Archive which collapsed last month: "No one knows when or what will be back in place or restored, or when the stocks will be housed under one roof again and accessible to the public. The collapse has left the archive in chaos, all order overturned... It may take twenty, even thirty years, one archivist estimated, before the archive, even with the huge losses it has sustained, is returned to its pre-disaster state. Only then will the head be returned to the body."

Dietmar Bartz spent four days dispensing first aid to files rescued from the rubble in Cologne. His diary entry, printed in the taz on April 15, read: "At the local security authorities on Wednesday, I had to sign an oath of secrecy, not only for data protection reasons: the city also prohibits 'the writing of any articles for the press' as well as all photography. And all information given to the media has to be approved first."


Berliner Zeitung
16.04.2009

"Fear-induced vomiting is a fine and splendid thing, particularly if it doesn't prevent artists from going on stage," writes Daniela Pogade, on what would have been the 80th birthday of Jacques Brel. The late Belgian singer-songerwriter once said that that stage fright made him throw up three times a day."


Die Welt 16.04.2009

"Best building in the Bundesrepublik," declares Rainer Haubrich, in reference to architect Sep Ruf's Kanzlerbungalow in Bonn which is now open to the public following renovation. A symptomatic building: "This was the birthplace of that hackneyed topos which determined that architecture is only democratic if it is 'open and transparent'. And it features a number of details that prefigure the sort of dwarfism that eventually became a monument to post-war architecture (the low porch roof and the round concrete tubs clustered below speak volumes)."


Jungle World 16.04.2009

The leftist weekly, Jungle World, focusses on the UN's Durban Review conference on racism and related intolerance which opens next week in Geneva. For Lukas Lambert, the preparations confirm the worst: the UN doesn't give a damn about human rights. "The countries of the Organisation of the Islamic Conference (OIC) have been using their majority in the Human Rights Council for several years now, to pass a number of resolutions to combat so-called 'defamation of religions'. These 56 states demand that religions, and primarily Islam, should be recognised as the bearer of human rights, whose 'violation', for instance through 'insulting images', should be pursued and prosecuted. In the same context they demand 'voluntary' limits on press freedom. The council passed a resolution to this effect just two weeks ago, giving the persecution of opposition figures and minorities in dictatorial states the UN's blessing one more time."


Die Zeit
16.04.2009

Germany's most famous feminist, Alice Schwarzer, goes to town in the politics section. Why, she asks, is the media turning a blind eye to the fact that in the school shooting in Winnenden last month, eleven of the twelve victims were female. "What would have happened, I found myself asking two days after the massacre, if Tim K. had gunned down eleven Turkish kids and one of their German friends in the classroom. The answer is simple: all hell would have broken loose! Any halfway critical reporter or journalist would not only have drawn attention to this fact but they would also pursue it. And draw conclusions, such as making the connection between the perpetrators and the social climate in which xenophobia exists – which perhaps not surprisingly precipitates into such forms as its most extreme."


Frankfurter Allgemeine Zeitung
16.04.2009

In Budapest, Hubert Spiegel talked to Hungarian writers Peter Nadas (more) and Peter Esterhazy (more), who both see their as country embroiled in a deep-reaching crisis. Peter Nadas, in particular, cannot find the least grounds for optimism: "If it were not so tragic, I would describe it as farcical. Nothing has changed, we live in the old structures, the political parties are unaccountable, there is no functioning middle-class, let alone a bourgeoisie, no sense of responsibility. Responsibility means nothing in this country – except the responsibility  for scraping together as much as possible for your own purse and your own family as soon as you land a position that enables you to do so."

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From the Feuilletons

Saturday 13 - Friday 19 March, 2010

The Feuilletons this week were preoccupied by two issues: child abuse by the Catholic Church, and (again!) copy-paste abuse by the young German writer Helene Hegemann. The FAZ looks back at the days when castration was considered an acceptable method of producing angelic voices. Die Zeit looks to the narcissistic principle of similarity in a patriarchal society for an explanation. On the eve of the Leipzig Book Fair, a list of German writers, Günter Grass and Christa Wolf among them, sign a petition against plagiarism - although, as we discover, Christa Wolf might be considered a pioneer in such matters herself.
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From the Feuilletons

Saturday 6 - Friday 12 March, 2010

The Dutch author Hans Maarten van der Brink lists a number of contradictory reasons why his compatriots might give Geert Wilders their vote in June. Ai Weiwei defends his heavy surfing habit. Die Welt prints a reportage on the first ever critical edition of the Koran, coming to you from Potsdam. Mircea Cartarescu explains why he's too old to write poetry. And the taz and the NZZ report on reprisals against writers in Iran.
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From the Feuilletons

Saturday 27 February - Friday 5 March, 2010

Having been apprehended on his way to the lit.cologne, Liao Yiwu sends his German readers a song for the dongxiao. Die Welt describes Ryszard Kapuscinski as a partisan writer who was prone to self-censorship. In the NZZ, Martin Pollack explains why he won't be translating the Kapuscinski biography into German - not becuase of its truths but because of its tone. The pianist Krystian Zimerman explains the difference between volume and dynamism. The FAZ bemoans the influence of the collector in today's art market. And Gunter Grass has opened his Stasi file.
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From the Feuilletons

Saturday 20 - Friday 26 February, 2010

Frank Rieger of the Computer Chaos Club looks at the algorithmic structure of state surveillance. The feuilletons are all happy about "Honey" getting the Golden Bear at an otherwise lame duck of a Berlinale. Theatre director Frank Castorf explains why the poet Michael Reinhold Lenz is not Kurt Cobain. And Adam Krzeminski mourns the 'curse' of being Romanian, Polish, Latvian or Slovak.
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From the Feuilletons

Friday 12 - Friday 19 February, 2010

Polanski's "Ghost Writer" has brought architectural torment to the Berlinale, of the type only a good brandy can relieve. Audiences booed at Oskar Roehler's "Jew Suess - Rise and Fall", as soon as a nerve was touched. Benjamin Heisenberg provokes sympathy with the bank robber and marathon runner "Pumpgun Ronnie". In the plagiarism scandal surrounding Helene Hegemann's book "Axelotl Roadkill" the criticism is now being directed back at the critics. And Czech writer Radka Denemarkova is furious at her country for sweeping the past under the carpet.
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From the Feuilletons

Saturday 6 - Friday 12 February, 2010

While Berlinale director Dieter Kosslick focusses his attention on culinary cinema, Werner Herzog describes how to organise your own Berlinale. Psychiatrist and writer Ion Viona explains why post-communist Romania is built on quicksand. The feuilletons were shaken, but not really, to discover that child prodigy Helene Hegemann copied and pasted much of her celebrated novel "Axolotl Roadkill". The Tagesspiegel sets out on the trail of the clan behind the "honour killing" of Hatun Sürücü. And the SZ reports on an impressive show of solidarity at Hrant Dink's trial in Istanbul.
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From the Feuilletons

Saturday 30 January - Friday 5 February, 2010

The FR tells Germany to grant its immigrants suffrage. The FAZ observes Austria's desperate struggle to hold onto its remaining sovereignty. In die Welt, Zafer Senocak turns the attention of the Europeans towards the modern face of the Muslim woman. The SZ is spellbound by Maurizio Pollini, who just does everything right. An obituary to J.D. Salinger celebrates his androgynous style. And Tehran's Fajr Film Festival is haemorrhaging jurors.
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From the Feuilletons

Saturday 23 - Friday 29 January, 2010

Henryk Broder explains why being dubbed a "hate preacher" can feel like a compliment. Andrzej Stasiuk visits the bare patch of earth that was once a death camp in Belzec. Necla Kelek tugs at the Islamic veil. Die Welt applauds the young and philanthropic German playwright Nis-Momme Stockmann. The NZZ listens to the exhilarating and highly complex compositions of Conlon Nancarrow for the mechanical piano. Die Zeit skips Virgil and heads for gluttony level in 'Inferno'.
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From the Feuilletons

Saturday 16 - Friday 22 January, 2010

Feuilletonistic debate has become increasingly vicious since the Swiss minaret ban and the attack on Kurt Westergaard. The critics of Islam have been denounced by the Christian heads of Germany's quality feuilletons as "hate preachers" and "holy warriors". "No one is going to stop me from criticising my religion," counters Necla Kelek, one of the three Muslim women and a lone Jewish man who make up the opposition this week.
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From the Feuilletons

Saturday 9 - Friday 15 January, 2010

It's not Poland that should westernise, says Polish author Stefan Chwin, but the West which should recognise Poland as one of its own. Philosopher Abdolkarim Soroush explains why Iran's green revolution needs a theory. Writer Peter Shneider is tired of being treated like a minor at the airport. The head of Berlin's Museum of Islamic art explains why, unlike the Met, it will be showing its paintings of Mohammed. And the taz learns that Deleuze could not stomach Wittgenstein, but was partial to brain, tongue and marrow.
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From the Feuilletons

Saturday 2 - Friday 8 January 2010

After the attack on Danish cartoonist Kurt Westergaard, the editor of the SZ feuilleton says it's not worth defending something as stupid as his Mohammed cartoons. Henryk Broder, on the other hand, remembers how the media leapt to Rushdie's defence, and paints a picture of creeping capitulation. Arno Widman remembers Albert Camus as the writer who taught us the value of the individual over society, and not the other way around. The head of Surhkamp, Ulla Unseld-Berkewicz, wonders whether quality publishers have any edge at all today. The NZZ traces the highs and lows of pop falsetto.
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From the Feuilletons

17 - 28 December, 2009

Boris von Haken's revelation, that the revered musicologist Hans Heinrich Eggebrecht was involved in the murder of 14,000 Jews in Crimea, is a catastrophe for German musicology, says Die Welt. The FAZ asks why Chinese dissident Liu Xiaobo's sentence was kept so quiet. Alexander Kluge celebrates the Net in the spirit of the quantum. And with the Demjanjuk trial underway, the Tagesspiegel remembers the uprising in Sobibor.
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From the Feuilletons

Saturday 12 - Friday 18 December, 2009

A rotting plague corpse in wax speaks volumes about contemporary Naples. Die Zeit tells a horrifying story about the former doyen of German musicology Hans-Heinrich Eggebrecht - years after his death he has now been implicated in the murder of 14,000 Jews in Crimea. Oliver Reese's Frankfurt production of "Phaedra" is a celebration of the art of gesture. The Romanian poet Werner Söllner talks about his years as Securitate informer. And, the FR asks, was the Romanian revolution really a revolution after all?
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From the Feuilletons

Saturday 5 - Friday 11 December, 2009

The taz bathes in light, in Wolfsburg of all places. Herta Müller explains how literature helps the oppressed. The artist Parastou Forouhar is being kept in Iran against her will. Mircea Cartarescu explains why it is so hard to purge Romania of the Securitate. The poet Durs Grünbein wonders why people feel so aggressive when they see the sculptures of Markus Lüpertz. Navid Kermani says Switzerland has a fundamentalist problem - abut it's not Islamic.
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From the Feuilletons

Saturday 28 November - Friday 4 December

The Swiss anti-minaret vote has been the focus of feuilleton attention this week. The NZZ calls it a disgrace for journalism. Tariq Ramadam says the Muslims should have been more active in preventing it. Historian Hamed Abdel-Samad looks at Islam's failure to modernise and says it's time the Muslims engaged in self-criticism if they don't like others doing it. Mario Vargas Llosa praises the EU as the only political project that is both revolutionary and real. And the Tagesschau, Germany's oldest news institution, comes under fire for its stultifying depiction of the world.
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